Helena is torn by two opposing powers. Sohane and Constantine, along with the orchestra of the world of mist, have to deal with terrifying evil forces. Without giving away too much of the story, could you describe this universe that Helena is in?
Helena, as a piano virtuoso, lives a great deal in her own universe. A musician of that level spends five to twelve hours a day on her instrument. This is reminiscent of an autistic world where you can spend hours without talking, focused on a score, alone in a room. The world of mist is therefore the most violent emotional clash one could ever imagine.
This very sensitive artist living a life based on routine, will be confronted with the worst of human obsessions, such as power, domination, death, fear, brutality, anger, etc.
It is on this paramount contrast that the storyline feeds itself. How an artist so little prepared and fragile can (or cannot) overcome her fear and confusion, and face immense challenges.
How did you pick up the team for of the project’s images?
Opportunities and luck. First, I didn’t expect such an ambitious picture production. Then I met director Romain BOULESTEIX whose enthusiasm carried the project to a higher level. Then we had some trouble and disappointment with some of the 3D work. That was when, while looking for a web designer, we fell by chance on the outstanding art work of Pascal QUIDAULT. I guess the illustration style should evolve along with the project’s development.
You are the CEO of STUDIO CAPITALE, an audio postproduction company which does a lot of film dubbing. What are the ties that exist between STUDIO CAPITALE and the HELENA project?
From the business point of view, the Helena project, and on a larger scale Musical Tales™, is a research and development budget. We are a service company and the success of Musical Tales™ would allow us to produce our own projects. Also, the existence of a dubbing facility gave us easier access to the best voice talents and the most professional recording studios.
Why the choice of an Internet broadcast?
Let’s begin with square one. Why make a movie, a video game, or a book, without knowing if your story will find an audience? Free Internet is a direct access to people and an opportunity to ask: “Do you like this project, this story, this music, these pictures, etc.?”, and on a worldwide scale. Then, the second step would be, if the audience approves, to produce for other media.
Another point is that it’s is a domain of complete freedom for us too; no distributor, and no middle man. What we do is what you get, direct from our computers to yours, as if we had come to your house and told you our story. Freedom is priceless.
You’re not only the creator but also the producer of the project. Why a free Internet access? Does it mean a partnership with other websites, other companies?
To fund the subsequent development of the project, we’re looking for business partners, sponsors, who are willing to support us. The fact that Musical Tales™ is very ambitious and largely international should raise interest in all those who are looking for highlighting, representation and a valorisation throughout the whole entire planet.
The very thorough production standards result in great professional quality with beautiful designing, music and story in a highly successful package. Are you also pleased with the final cut?
When I started out a few years ago, I couldn’t believe we could get this far. It is also the sum total of all the great and talented people on this team that has led to this higher result. As far as music is concerned, I never feel fully satisfied. In inspiration, there is always a place for chance and luck.
Let’s say I am really happy about some of the tracks.
The final word is up to you.
When this project reached the production stage, I was confident about finding grants or other financial help. But soon after, I had to deal with the idea of going it alone with no help, and that gave me some sleepless nights. I threw all my time, energy, and savings into the project without knowing whether or not it would ever receive audience interest and approval.
I’d like to conclude with a prayer that this adventure prevails, not for the money, but simply to be able to continue and keep this wonderful team we’ve assembled, together for many years to come.
